SAXLX-50 - 6 Pack of Red 50 Foot XLR Microphone Cables
Professional XLR cables built for musicians, DJs, schools, and churches who need reliable signal transmission across longer distances. The SAXLX-50 six-pack delivers 50-foot shielded microphone cables in red for easy identification during live shows and installations.
These balanced XLR cables handle microphone signals and line-level connections between mixers and amplifiers with consistent performance. The heavy-duty rubber jacket protects against wear while maintaining flexibility for repeated setup and breakdown. The female connector connects to your source output and the male connector connects to your destination input.
Musicians use them for connecting stage microphones to front-of-house mixers, while DJs run them between DJ booths and powered speakers for outdoor events and wedding receptions. Schools and churches connect wireless receiver outputs to mixing boards with reliable signal transfer.
Each cable features male and female 3-pin XLR connectors with 22-gauge oxygen-free copper conductors for clean signal transfer and superior RF rejection. The shielded design prevents interference from wireless systems and electrical sources common in live sound environments. At 50 feet, these cables provide reach for stage-to-FOH runs, monitor sends, and equipment rack connections without signal loss.
Each cable terminates in standard 3-pin XLR connectors that work with all professional microphones, mixers, amplifiers, and audio equipment. The pack includes six identical 50-foot cables ready for immediate use.
Seismic Audio backs these microphone cables with a one-year warranty and ships them ready to work out of the box.
Technical Specifications
| Spec | Value |
|---|---|
| Cable Length | 50 feet each |
| Quantity | 6 cables |
| Color | Red |
| Connectors | 3-pin XLR male and female |
| Conductor | 22-gauge oxygen-free copper |
| Shielding | Yes |
| Jacket | Heavy-duty flexible rubber |
| Applications | Microphone, line level |
| Warranty | One year |
| Recommended For | Stage microphones, mixer connections, studio recording |
Frequently Asked Questions
What's the difference between XLR microphone cables and regular audio cables?
XLR cables use balanced connections that carry audio signals on three conductors (positive, negative, and ground), which cancels out interference and allows for longer cable runs without signal degradation. Regular audio cables like 1/4" TS are unbalanced and more susceptible to noise over distance. These 50-foot XLR cables maintain clean signal transmission where shorter unbalanced cables would pick up hum and interference.
Can I use these XLR cables for both microphones and line-level equipment?
Yes, these cables work for both microphone-level signals (from dynamic and condenser mics) and line-level connections between mixers, amplifiers, equalizers, and other professional audio gear. The same balanced XLR connection carries both signal types effectively, making them versatile for complete live sound and studio setups.
Can these audio XLR cables be used for DMX lighting applications?
While these cables physically connect to DMX lighting equipment, they're not recommended for DMX applications. Audio XLR cables are designed for 75-ohm impedance, while DMX systems require 120-ohm impedance. Using audio cables for DMX can cause signal reflections, data errors, and unreliable lighting control. For proper DMX operation, use cables specifically rated for 120-ohm DMX applications to ensure reliable data transmission and prevent lighting malfunctions.
Do these cables work with wireless microphone receivers and powered speakers?
Yes, these XLR cables connect wireless microphone receivers (which output line-level signals) to mixing boards, and they work perfectly for connecting mixers to powered speakers with XLR inputs. Many powered PA speakers accept XLR connections for balanced line input, making these cables ideal for the complete signal chain from wireless mics through mixers to amplified speakers.
Why choose 50-foot cables over shorter lengths for live sound?
Fifty-foot cables provide flexibility for various layouts without requiring multiple shorter cables connected together, which can introduce connection points that may fail or add noise. They're long enough for most stage-to-mixer runs, monitor sends, and equipment rack connections while avoiding the signal loss and handling difficulty that comes with 100-foot cables when you don't need the extra length.
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