The SAXLX-50 six-pack delivers professional-grade XLR microphone cables built for musicians and DJs who need reliable signal transmission across longer runs. Each 50-foot cable handles the distance requirements of churches, schools, recording studios, and theater productions without signal degradation.

These balanced XLR cables maintain clean signal integrity from microphones to mixing consoles, between rack-mounted processors, or for connecting equipment in recording studios, broadcast facilities, and production environments. The 22-gauge oxygen-free copper conductors provide enhanced signal clarity while the heavy-duty shielded design rejects RF interference that can plague cheaper cables.

The flexible rubber jacket withstands the rigors of regular setup and breakdown, while metal 3-pin XLR connectors ensure secure connections that won't work loose during performances. The female connector connects to your source output and the male connector connects to your destination input. At 50 feet per cable, this length works well for connecting stage microphones to FOH mixing positions, linking outboard gear in rack systems, or running feeds between processing equipment and power amplifiers.

The yellow color coding makes cable identification quick during setup and breakdown, particularly valuable when running multiple lines.

Each cable comes with Seismic Audio's one-year warranty. The six-pack configuration provides cost savings for users who need multiple long-run connections while maintaining the professional build quality demanded by live sound applications.

Technical Specifications

Frequently Asked Questions

Can I use these cables for both microphones and line-level equipment?

Yes, these balanced XLR cables work for dynamic and condenser microphones as well as line-level connections between mixing consoles, equalizers, crossovers, and amplifiers. The same cable that carries your vocal mic signal can also connect your crossover output to your power amplifier input.

Do the oxygen-free copper conductors really make a difference in sound quality?

The 22-gauge OFC conductors provide better signal transmission than standard copper, particularly over longer cable runs like these 50-footers. You'll experience less signal loss and better rejection of radio frequency interference that can introduce noise into your audio system. This becomes more noticeable when running multiple long cables in parallel.

Why choose the 6-pack over buying individual cables?

The six-pack provides significant cost savings if you're setting up a complete system that needs multiple long runs. Most bands need at least 4-6 longer microphone cables for stage setup, and having matched cables in the same distinctive yellow color makes identification and organization much easier during setup and breakdown.

Are these cables durable enough for regular mobile use?

The heavy-duty flexible rubber jacket and metal XLR connectors are built for repeated setup and breakdown. The shielded design protects against the electrical interference common in environments with lighting systems and other electronic equipment. These cables handle the physical demands of mobile DJ and band applications where cables get coiled, transported, and reconnected frequently.

Can these be used for DMX lighting control?

While these cables can physically connect DMX lighting fixtures, they're not ideal for this application. DMX systems require 120-ohm impedance cables, while these audio cables are 75-ohm. Using audio cables for DMX can cause signal reflections, data errors, and unreliable lighting control, especially over longer runs or in complex lighting networks. For critical DMX applications, use proper 120-ohm DMX cables.

WARNING: This product can expose you to chemicals including Di(2-ethylhexyl)phthalate (DEHP), which is known to the State of California to cause cancer. For more information, go to: www.P65Warnings.ca.gov