SAXLX-25 - 8 Pack of 25 Foot Colored XLR Patch or Microphone Cables
This 8-pack of 25-foot XLR cables in multiple colors is built for live sound engineers, touring musicians, and venue techs who need reliable signal routing with instant visual identification. Each pack includes eight cables in distinct colors: blue, green, orange, red, yellow, purple, black, and white.
These balanced XLR cables handle microphone signals, line-level connections between mixers and processors, and work well for musicians, DJs, churches, schools, recording studios, and broadcasters. The 22-gauge oxygen-free copper conductors deliver clean signal transmission while the heavy-duty rubber jacket stands up to repeated coiling and stage use.
At 25 feet, these cables provide the reach needed for most stage setups without excess length cluttering your workspace. The shielded design rejects RF interference that can plague longer cable runs, while the metal XLR connectors ensure secure connections that won't fail mid-performance. Color coding eliminates guesswork when tracing signals in complex setups.
Perfect for houses of worship routing choir mics to different mixer channels, bands creating monitor mixes with distinct cable colors for each musician, or mobile DJs who need quick setup and teardown. The length works well for setups where you need flexibility without cable management headaches.
Each cable features male XLR to female XLR connectivity for standard microphone and line applications. The female connector attaches to your source output and the male connector attaches to your destination input. The complete 8-cable set arrives ready to use with no additional adapters needed.
Seismic Audio backs these cables with a one-year warranty and ships them fast so your next show stays on schedule.
Technical Specifications
| Spec | Value |
|---|---|
| Cable Length | 25 feet each |
| Quantity | 8 cables |
| Colors Included | Blue, Green, Orange, Red, Yellow, Purple, Black, White |
| Connector Type | 3-pin XLR male to female |
| Conductor Material | 22-gauge oxygen-free copper (OFC) |
| Cable Type | Balanced, shielded |
| Jacket Material | Heavy-duty flexible rubber |
| Applications | Microphone, line level |
| Warranty | 1 year |
| Recommended For | Live sound, studio, church, mobile DJ setups |
Frequently Asked Questions
What's the advantage of having different colored XLR cables?
Color coding eliminates signal tracing confusion in complex setups. When you're running multiple microphone lines or connecting various pieces of gear, distinct colors let you instantly identify which cable goes where. This saves significant time during setup and troubleshooting, especially in low-light stage environments.
Can these cables handle both microphone and line-level signals?
Yes, these balanced XLR cables work equally well for dynamic microphones, condenser mics, and line-level connections between mixers, EQs, crossovers, and amplifiers. The 22-gauge oxygen-free copper conductors and shielding handle the full range of professional audio signal levels without degradation.
Are 25-foot cables the right length for most live sound applications?
25 feet provides excellent versatility for many professional setups. This length reaches from front-of-house mixers to stage positions without excess cable creating trip hazards, while still offering enough reach for most monitor sends and equipment connections.
Can these cables work with DMX lighting controllers?
While these XLR cables can physically connect to DMX lighting equipment, they're not ideal for this application. Audio XLR cables are designed for 75-ohm impedance, while DMX lighting systems require 120-ohm impedance cables. Using audio cables for DMX can cause signal reflections, data errors, and unreliable lighting control, especially over longer runs. For critical lighting applications, dedicated DMX cables are recommended.
How do these compare to more expensive XLR cables?
These cables use the same fundamental design as higher-priced options: oxygen-free copper conductors, quality shielding, and metal XLR connectors. The difference typically comes down to connector plating materials and cable jacket durability under extreme touring conditions. For most live sound applications, these deliver professional performance at a practical price point.
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