These 25-foot XLR cables deliver reliable signal transmission for musicians, DJs, broadcasters, churches, recording studios, and theater productions who need consistent performance across longer runs. The yellow jacket provides easy identification in complex cable runs, while the shielded design prevents interference in electrically noisy environments.

Each cable features metal 3-pin XLR connectors (male to female) built for repeated plugging and unplugging without signal degradation. The female connector attaches to your source output and the male connector to your destination input. The 22-gauge oxygen-free copper conductors maintain signal clarity over the full 25-foot length, making these cables suitable for both microphone signals and line-level connections between mixing consoles, amplifiers, and processors.

The heavy-duty rubber jacket flexes without kinking, essential for stage setups where cables get stepped on or moved frequently. Professional shielding protects against RF interference from wireless systems and lighting equipment commonly found in live venues. These balanced cables work equally well for dynamic microphones, condenser mics with phantom power, and professional recording applications.

Perfect for applications where standard 10 or 15-foot cables fall short – think church sanctuaries, wedding reception halls, recording studios, or content creation setups. The 25-foot length provides enough reach for front-of-house mixing positions or monitor sends to stage musicians without requiring cable extensions that introduce potential failure points.

Each 2-pack includes two complete cables ready to use out of the box. Seismic Audio backs these cables with a one-year warranty and ships them fast, so your next gig stays on schedule.

Technical Specifications

Frequently Asked Questions

What's the difference between 22 AWG and thicker gauge microphone cables?

For 25-foot runs, 22 AWG oxygen-free copper provides excellent signal transmission without the bulk and weight of thicker cables. The balanced XLR design and proper shielding matter more than conductor thickness at this length, making these cables ideal for professional applications where you need flexibility and reliability.

Can I use these XLR cables for both microphones and line-level connections?

Yes, these cables work for dynamic microphones, condenser mics with phantom power, and balanced line connections between mixers, processors, and amplifiers. The 3-pin XLR format is the professional standard for balanced audio, so they'll handle any standard balanced signal your equipment outputs.

Why choose yellow cables over black ones?

Yellow cables make cable management much easier in complex setups where you're running multiple audio lines. The bright color helps sound engineers quickly identify specific signal paths during setup and troubleshooting, reducing setup time and preventing accidental disconnections during performances.

Do these cables work with DMX lighting controllers?

While these XLR cables can physically connect to DMX equipment, there are important technical limitations to consider. Standard audio XLR cables like these are designed for 75-ohm impedance, while proper DMX cables use 120-ohm impedance. This mismatch can cause signal reflections and data errors, especially in longer DMX runs or complex lighting setups. For critical DMX applications or permanent installations, dedicated DMX cables are recommended. However, these cables may work adequately for simple, short-run DMX applications where specialized DMX cable isn't available.

WARNING: This product can expose you to chemicals including Di(2-ethylhexyl)phthalate (DEHP), which is known to the State of California to cause cancer. For more information, go to: www.P65Warnings.ca.gov