Professional XLR microphone cables built for live sound engineers, musicians, and venue techs who need reliable signal transmission over long distances. The SAXLX-50 White 2-pack delivers two 50-foot balanced cables that maintain clean audio signals from stage to mixing board without interference or signal loss.

These cables handle the full range of professional audio connections with standard 3-pin XLR male to female terminations. The balanced design eliminates noise pickup over long cable runs, while heavy-duty shielding blocks RF interference from wireless systems and lighting equipment.

Built with 22-gauge oxygen-free copper conductors for enhanced signal clarity and superior noise rejection. The 50-foot length covers most professional audio applications, from recording studios to live sound reinforcement and broadcast production. White jacketing provides high visibility for stage management and easy identification in cable runs.

Perfect for connecting dynamic and condenser microphones to mixing consoles, linking balanced audio gear in rack systems, and professional recording applications. Each cable weighs 1.38 pounds and handles professional live sound applications where signal integrity matters. Essential for musicians, DJs, content creators, churches, recording studios, and broadcasters.

Standard XLR connections work with all professional microphones and balanced audio equipment. The female connector connects to your source output and the male connector connects to your destination input. Cables arrive ready to use with no additional adapters needed.

Seismic Audio backs each cable with a one-year warranty and ships directly to your venue or studio. Professional-grade construction at a price point that makes sense for working musicians and sound engineers.

Technical Specifications

Frequently Asked Questions

What's the difference between balanced and unbalanced microphone cables?

Balanced XLR cables like the SAXLX-50 use three conductors (positive, negative, and ground) to cancel out electromagnetic interference and noise pickup. This makes them essential for professional live sound applications where cables run long distances near power lines, wireless systems, and lighting equipment. Unbalanced cables would pick up significant noise over a 50-foot run.

Can I use these XLR cables for DMX lighting control?

While these cables will physically connect to DMX equipment using the same 3-pin XLR connectors, there are important technical limitations to consider. Audio XLR cables typically have 75-ohm impedance while DMX systems are designed for 120-ohm impedance. This mismatch can cause signal reflections, data errors, and unreliable lighting control, especially over longer cable runs. For critical DMX applications, dedicated DMX cables with proper 120-ohm impedance are recommended for reliable performance.

Do these cables work with all professional microphones?

These cables work with any microphone or audio device that uses standard 3-pin XLR connections. This includes dynamic microphones like the Shure SM57 and SM58, condenser microphones, wireless receiver outputs, and balanced line outputs from mixing consoles, preamps, and processors.

Why choose white XLR cables over black ones?

White cables offer high visibility on dark stages and make cable management easier during setup and teardown. They're particularly popular for wedding and corporate events where clean aesthetics matter, and in venues with light-colored flooring where black cables disappear and create trip hazards.

WARNING: This product can expose you to chemicals including Di(2-ethylhexyl)phthalate (DEHP), which is known to the State of California to cause cancer. For more information, go to: www.P65Warnings.ca.gov