SAJLP-16x4x100 - 16 Channel 100 Foot XLR Low Profile Snake Cable with 4 TRS Returns
The SAJLP-16x4x100 snake cable connects front-of-house mixing boards to stage inputs across venues seating 200-500 people. Built for touring musicians, sound engineers, and venue operators who need reliable multi-channel audio transport without the bulk of traditional snake boxes.
This 16-channel snake delivers clean signal transmission through individually shielded pairs and 25-gauge heavy duty conductors. The compact stage box uses circuit board technology instead of traditional wiring, reducing stage footprint by 40% compared to standard snake boxes while maintaining professional-grade connectivity.
At 100 feet long, it handles the throw distance needed for medium to large venues while the numerically labeled stage box and color-coded fantail eliminate connection errors during setup. The steel stage box measures just 10.75" x 5.5" x 2.75", fitting easily into tight stage areas. Heavy duty strain relief protects connections at both the stage box and console end, while high-quality XLR male sends and TRS return connectors ensure solid contact show after show.
Perfect for live bands needing dedicated monitor sends, houses of worship running separate recording feeds, or mobile DJ setups requiring multiple microphone inputs with auxiliary returns. The four TRS returns handle monitor sends, effects loops, or recording splits without additional splitter boxes.
Connects directly to any mixing console with XLR inputs and TRS outputs. Everything needed for installation comes in the box, ready to deploy. Backed by Seismic Audio's one-year warranty with fast shipping nationwide.
Technical Specifications
| Spec | Value |
|---|---|
| Model | SAJLP-16x4x100 |
| Send Channels | 16 XLR Male |
| Return Channels | 4 TRS (1/4") |
| Cable Length | 100 feet |
| Stage Box Dimensions | 10.75" L x 5.5" W x 2.75" D |
| Conductor Gauge | 25 AWG |
| Shielding | 100% individually shielded pairs |
| Stage Box Construction | Heavy duty steel with circuit board technology |
| Fantail | Color-coded connectors |
| Stage Box Labels | Numerical labeling |
| Strain Relief | Heavy duty at both ends |
| Weight | 24 lbs |
| Warranty | One year |
| Recommended For | Live venues, churches, studios, mobile sound |
Frequently Asked Questions
What size venue can this 100-foot snake cable handle?
This snake cable works well for venues seating 200-500 people, including mid-size clubs, church sanctuaries, school auditoriums, and outdoor festival stages. The 100-foot length provides enough reach for most front-of-house console positions while maintaining clean signal integrity across all 16 channels.
How does the circuit board technology compare to traditional snake wiring?
Circuit board technology creates more reliable connections than hand-soldered snake boxes while significantly reducing the stage box size. The compact 10.75" x 5.5" footprint takes up less stage real estate, and the solid-state connections resist the wear and intermittent failures common with traditional point-to-point wiring after heavy touring use.
What equipment does this snake cable connect to?
The XLR male sends plug directly into microphones, DI boxes, or stage instruments, while the console end connects to any mixing board with XLR inputs. The four TRS returns handle monitor sends from your mixer back to stage monitors, in-ear systems, or recording equipment. No additional adapters or cables needed.
Can I use this snake for both live sound and recording?
Yes, the individually shielded pairs and heavy duty conductors maintain signal integrity for both live mixing and multi-track recording. The four TRS returns let you split signals to a recording interface while sending monitor mixes back to performers, making it ideal for live recording sessions or venues that archive performances.
How does this compare to wireless systems for multi-channel setups?
This hardwired snake provides more reliable connections than wireless systems, especially for 16-channel applications where wireless would require multiple transmitters and receivers. There's no battery management, interference issues, or latency concerns. The upfront cost is also significantly lower than equivalent wireless channel counts while offering better long-term reliability.
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