The SAJLP-16x4x50 delivers professional multi-channel audio routing for live sound engineers, band techs, and venue operators who need reliable connections between stage and mixing position. This 50-foot snake cable handles 16 input channels plus 4 monitor returns in a single run.

Built around circuit board technology in a compact steel stage box, this snake eliminates the bulk and connection issues of traditional fan-out designs. The 10.75" x 5.5" x 2.75" stage box takes up minimal stage real estate while providing rock-solid XLR and TRS connections that won't fail mid-show.

Each of the 16 channels uses individually shielded 25-gauge conductors to prevent crosstalk and noise interference. The stage box features numbered XLR male inputs, while the console end provides a color-coded fantail for quick identification. Four balanced TRS returns handle monitor feeds or effects loops back to the stage.

Perfect for mid-sized venues, outdoor festivals, and touring rigs where you need to run audio 50 feet from stage to front-of-house position. Works equally well for permanent installations in churches, theaters, and conference centers. The 4 TRS returns give you flexibility for stage monitors or sending processed signals back to performers.

Connects directly to mixing consoles via the color-coded fantail, while the stage box accepts standard XLR microphone and DI cables. Everything needed for immediate deployment comes in the box.

Backed by Seismic Audio's one-year warranty and fast shipping. Built to handle the demands of professional live sound without the premium price tag.

Technical Specifications

Frequently Asked Questions

What size venue can this 50-foot snake handle?

This snake works well for venues up to 500 capacity where your mixing position is 40-50 feet from the stage. The 16 input channels handle full bands, while the 50-foot length covers most club and theater setups. For larger venues or longer runs, consider our 100-foot models.

Can I use this snake for both live sound and recording applications?

Yes, the individually shielded pairs and circuit board connections make this snake suitable for both live mixing and studio recording. The low-profile design reduces stage clutter, and the balanced TRS returns work well for sending processed signals back to performers or recording interfaces.

What's the difference between this circuit board snake and traditional fan-out designs?

Circuit board technology eliminates the bulk of traditional solder joints inside the stage box, creating a more compact and reliable connection point. This reduces the stage footprint by roughly 40% compared to standard snakes while improving connection integrity and reducing potential failure points.

Do the TRS returns work for sending monitor mixes back to the stage?

Absolutely. The 4 balanced TRS returns are perfect for monitor sends from your mixing console back to stage monitor systems or in-ear monitor transmitters. You can also use them for effects returns or any other line-level signals that need to travel from console to stage.

What cables do I need to connect this snake to my mixing console?

The console end features a color-coded fantail with standard XLR female and TRS connectors that plug directly into your mixer's inputs and outputs. No additional adapters or cables needed. The stage box accepts standard XLR microphone cables and TRS instrument cables.

WARNING: This product can expose you to chemicals including Di(2-ethylhexyl)phthalate (DEHP), which is known to the State of California to cause cancer. For more information, go to: www.P65Warnings.ca.gov