SAMIC12.2 - 6 Pack of 12 Foot Heavy Duty Black XLR Microphone Cables
The SAMIC12.2 6-pack delivers heavy-duty XLR microphone cables for bands, churches, and venues that need reliable connections for multiple microphones. Each cable spans 12 feet, providing the reach you need for stage setups without excess slack cluttering your performance area.
These cables handle the daily demands of live sound with thick construction designed to resist damage from foot traffic, equipment moves, and repeated setup/teardown. The male-to-female XLR configuration connects microphones directly to mixing boards, audio interfaces, or other XLR inputs without adapters.
At 12 feet each, these cables work well for stage monitoring, front-of-house mixing positions, and recording setups where microphones need moderate distance from the mixing console. The heavy-duty build quality means less worry about signal loss or connection failures during performances.
Perfect for small to medium venues, recording studios, churches running multiple vocal mics, and bands that need several microphone connections. The 6-pack quantity covers most standard setups - lead vocals, backup singers, and instrument mics for a typical performance. Schools and event companies benefit from having matched cable lengths that create clean, professional-looking installations.
Each cable terminates with standard 3-pin XLR connectors that work with all professional microphones and audio equipment. The pack includes six identical 12-foot cables, so you can standardize your setup and keep spares on hand.
Seismic Audio backs these cables with a one-year warranty. Professional-grade construction at a practical price point for performers who need dependable audio connections.
Technical Specifications
| Spec | Value |
|---|---|
| Model | SAMIC12.2 (6 Pack) |
| Cable Length | 12 feet each |
| Connector Type A | Male XLR (3-pin) |
| Connector Type B | Female XLR (3-pin) |
| Color | Black |
| Construction | Heavy duty |
| Quantity | 6 cables |
| Warranty | One year |
| Recommended For | Live sound, recording studios, church audio |
Frequently Asked Questions
What microphones work with these XLR cables?
These cables work with all professional microphones that have XLR outputs, including dynamic mics like the Shure SM58, condenser mics, and ribbon microphones. The standard 3-pin XLR connectors are the industry standard for professional audio gear. They also connect microphones to mixing boards, audio interfaces, preamps, and powered speakers with XLR inputs.
Is 12 feet the right length for most stage setups?
Twelve feet provides good reach for most small to medium stages without creating cable clutter. This length works well for vocalists who stay near center stage, drum overhead mics, and guitar amp miking. For larger stages or when singers need more movement, you might need longer cables, but 12 feet handles most church services, small venue gigs, and studio recording sessions effectively.
Can I use these cables to connect speakers or other audio equipment?
While these cables physically fit other XLR connections, they're designed specifically for microphone-level signals. You can use them to connect microphones to mixers, audio interfaces, or preamps, but they're not intended for speaker connections or line-level signals between professional audio equipment. For speakers, use dedicated speaker cables designed for higher power loads.
How many microphones does this 6-pack typically cover?
Six cables handle most standard performance setups - lead vocals, two backup singers, guitar amp mic, bass amp mic, and one drum mic. Churches often use them for pastor, choir leader, and backup vocalists. Recording studios use them for multiple vocal takes or instrument miking. The quantity works well for bands that don't want to buy cables individually.
What's the difference between these heavy-duty cables and standard XLR cables?
Heavy-duty construction means thicker outer jackets and more robust strain relief at the connectors, reducing the chance of internal wire damage from repeated use. Standard cables work fine for permanent installations, but these handle the wear and tear of regular setup, performance, and breakdown cycles better. The investment pays off for mobile performers and venues with frequent equipment moves.
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