The Seismic Audio SARLX-2x3 is built for audio engineers, musicians, and sound techs who need reliable patch bay connections in studios, live sound racks, and permanent installations. This 2-channel XLR snake cable handles the short-run connections that keep professional audio systems organized and interference-free.

The 3-foot length delivers balanced audio transmission between mixers, audio interfaces, power amplifiers, and rack-mounted processors. Color-coded and numerically labeled channels eliminate guesswork during setup and teardown, while the balanced XLR design rejects noise and interference that can plague unbalanced connections.

Built with 22 AWG oxygen-free copper conductors and foil shielding with drain wire, this snake cable maintains signal integrity across both channels. The XLR male to XLR female connectors provide secure, professional-grade connections that won't work loose during transport or extended use. The durable outer jacket withstands the demands of touring rigs and permanent rack installations.

Perfect for patching between console sends and power amp inputs, connecting outboard processors in studio racks, or linking audio interfaces to monitor controllers. The compact 3-foot length fits tight rack spaces without excess cable clutter, while the multi-color coding speeds up complex routing in live sound systems and broadcast facilities.

Each SARLX-2x3 connects standard XLR equipment without additional adapters or cables. Seismic Audio backs this patch snake with a one-year manufacturer warranty and ships directly from our warehouse for fast delivery to your studio or venue.

Technical Specifications

Frequently Asked Questions

What equipment does the SARLX-2x3 connect?

This 2-channel XLR snake connects any gear with balanced XLR inputs and outputs, including mixing consoles, audio interfaces, power amplifiers, outboard processors, and monitor controllers. The XLR male connectors plug into equipment outputs while the XLR female connectors accept inputs from microphones or other sources. No additional adapters or cables are required for standard balanced audio connections.

Is 3 feet long enough for rack mounting applications?

Yes, the 3-foot length is specifically designed for rack-mounted equipment and patch bay connections. This length provides enough reach to connect equipment in adjacent rack spaces or patch from a console to nearby outboard gear without excess cable that creates clutter. For longer runs between separate racks or across stages, consider the 10-foot or 15-foot versions of this same cable.

How does the color coding help with setup?

Each of the two channels features a different color jacket and numerical labeling, making it easy to trace signal paths and avoid mis-patching during setup. When running multiple snake cables, the color coding eliminates confusion about which channel connects where. This is especially valuable in live sound environments where quick setup and accurate routing are critical.

Will this cable work with my home studio setup?

Absolutely. The SARLX-2x3 works perfectly for connecting audio interfaces to monitor controllers, patching between outboard compressors and your console, or linking any balanced XLR equipment in your home studio. The professional-grade construction and balanced design ensure clean audio transfer without the noise issues common with cheaper cables.

What's the difference between this and longer XLR snakes?

The 3-foot SARLX-2x3 uses identical construction and specifications as longer versions but is optimized for short-distance connections in racks and patch bays. Longer versions (5, 10, and 15 feet) are better for stage runs, connecting equipment in separate racks, or routing between control rooms and live rooms. All versions feature the same 22 AWG copper conductors and foil shielding.

WARNING: This product can expose you to chemicals including Di(2-ethylhexyl)phthalate (DEHP), which is known to the State of California to cause cancer. For more information, go to: www.P65Warnings.ca.gov