Professional XLR female to TRS patch cables for connecting mixers to outboard gear like equalizers, crossovers, compressors, and amplifiers. The SATRXL-F3 6-pack delivers balanced connections when your mixer has XLR outputs but your rack gear uses 1/4" TRS inputs.

Each 3-foot cable features metal XLR female connectors on one end and metal 1/4" TRS connectors with fiberglass insulators on the other. The balanced signal path maintains audio integrity across your signal chain, while the heavy-duty rubber jacket provides flexibility during setup and teardown.

Built with 22-gauge oxygen-free copper conductors and comprehensive shielding, these cables handle the demands of live sound applications. The 3-foot length works well for rack-to-rack connections and mixer-to-processor patching without excess cable clutter. White jacket color helps with cable management and identification in complex setups.

These cables work in recording studios connecting console outputs to hardware processors, live venues patching mixer sends to graphic EQs, and houses of worship routing audio through compressor/limiter units. Churches running 100-person services and bands playing 200-capacity venues rely on clean signal paths between their mixer and rack gear.

Each cable terminates with professional-grade metal connectors designed for repeated plugging and unplugging. The 6-pack quantity covers typical small-to-medium venue needs where multiple balanced connections are required between mixing console and outboard processing equipment.

Seismic Audio backs these patch cables with a one-year warranty. Fast shipping gets your signal chain connected and ready for your next performance or recording session.

Technical Specifications

Frequently Asked Questions

What gear do these XLR female to TRS cables connect?

These cables connect mixer XLR outputs to rack gear with 1/4" TRS inputs, including equalizers, compressors, crossovers, and amplifiers. Many digital mixers have XLR main outputs while most rack processors use TRS inputs. The balanced connection maintains signal quality across your processing chain.

How many venues can a 6-pack of 3-foot cables handle?

A 6-pack typically covers small to medium venues up to 300 people, assuming standard rack-to-mixer patching needs. Most setups require 2-4 cables for stereo connections to EQs and compressors. Churches, small clubs, and mobile DJ setups commonly use 4-6 balanced connections between their mixer and outboard gear.

Are these cables balanced or unbalanced?

These are balanced cables using the XLR's 3-pin configuration and the TRS connector's tip-ring-sleeve design. Balanced connections reject noise and interference over cable runs, making them essential for professional live sound and recording applications where signal integrity matters.

Can I use these to connect microphones to mixers?

No, these cables have XLR female connectors, so they won't directly connect microphones (which also have male XLR connectors). These are specifically designed for mixer outputs to rack gear inputs. For microphones, you need standard XLR male to XLR female microphone cables.

What's the difference between TRS and TS connectors for this application?

TRS (tip-ring-sleeve) connectors carry balanced signals with separate conductors for positive, negative, and ground. This balanced connection matches the XLR's balanced output from your mixer. TS connectors only carry unbalanced signals and would defeat the noise rejection benefits of your mixer's balanced XLR outputs.

WARNING: This product can expose you to chemicals including Di(2-ethylhexyl)phthalate (DEHP), which is known to the State of California to cause cancer. For more information, go to: www.P65Warnings.ca.gov